Unblinkered

Children know something most people have forgotten. Children possess fascination with their everyday existence that is very special and would be very helpful to adults if they could lear to understand and respect it.*
Keith Haring

But we are also a species continually blinkered — sometimes touchingly, sometimes tragically — by our own delusions about the totality around us. Our greatest limitation is not that of imagination but that of perspective – our lens is too easily contracted by the fleeting urgencies of the present, too easily blurred by the hopes and fears of our human lives.**
Maria Popova

It’s the hardest thing in the world:
Not to become blinkered,
To remain open for as long as possible
to as much and as many as possible,
The reward being the opening of more of the possibility
each life contains.

*Keith Haring Journals;
**The Marginalian: Achieving Perspective: Trailblazing Astronomer Maria Mitchell and the Poetry of the Cosmic Perspective (David Byrne Reads Pattiann Rogers).

May 2005 forever

Belief in one’s self is only a mirror of belief in other people and every person.*
Keith Haring

When you discover something new about yourself, you become more grounded and free. It is delightful when you find out more of your hidden light, when the radiance inside you glimmers through in new unexpected colours.**
John O’Donohue

I have told the story quite a few times.
Back in 2005, I was part of a group
identifying talents,
With the hope of growing these into strengths.
Chip Anderson, who was guiding us,
Gave each of us a pair of glasses at the end of the day,
Asking us to use these over the following days for looking at ourselves,
And also to look around at others.
The message was clear,
And I have never forgotten it:
In discovering our own talents and abilities,
We will also ever see people in a different way.
In this, my life and my work were changed,
Eventually giving up what I had been doing for decades
to be able to pursue helping people find their treasure.

*Keith Haring Journals;
**John O’Donohue’s Divine Beauty.

Limbo is a place

Does this path have a heart? If it does, the path is good; if it doesn’t, it is of no use. Both paths lead nowhere; but one has a heart, the other doesn’t. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong; the other weakens you.*
Carlos Casteneda

We are confronted with an unattractive direction that we have to take. For weeks or months we have to travel through limbo; the comfort and security of our familiar belonging lies far behind us. Where we will belong next has yet to become clear.**
John O’Donohue

Limbo is a place we must journey through.
Rather than the suspension of purpose and movement we might imagine it to be,
It is actually the unfamiliar,
An unexperience,
Until we allow to be what it is,
A real place our path with a heart is leading us through
for some transformation to occur,
But it is not a place for us to abide.

*Carlos Casteneda’s The Teachings of Don Juan;
**John O’Donohue’s Divine Beauty.

(st)art it

If you’ve got something that benefits from use, from practice and community, use it and share it.*
Seth Godin

The best reason to pain is that there is no reason to paint.**
Keith Haring

Keith Haring encourages us not to be precious
about our art –
whatever this be –
I think this is partly why he was so prolific in his too short a life.
Not only producing for the big sponsors,
But also for small ventures,
Generous,
Often gifting his artistry,
Especially to children.

*Seth Godin’s blog: The practice effect;
**Keith Haring Journals.

The gloriously possible

The awakening of individuality is a continual unfolding of our presence.
John O’Donohue

It’s a cause of relief. You get to give up on something that was always impossible – the quest to become the optimised, infinitely capable, emotionally invincible, full independent person you’re officially supposed to be. Then you get to roll up your sleeves and start work on what’s gloriously possible instead.**
Oliver Burkeman

I write these posts because I believe you have so much to bring,
And I want to encourage you to bring it.

I also write the posts to encourage myself,
I know that if I don’t give my ideas some tangible form
I am not being present but absent,
And when I notice this I get cranky.
See O’Donohue and Godin,
They know, they understand:

It often takes a lot of struggle and committed attention and generosity, even sacrifice, to create beauty.*

Mortals must do what they are here to create or they will become cranky.^

*John O’Donohue’s Divine Beauty;
**Oliver Burkeman’s Four Thousand Weeks;
^Seth Godin’s Tales of the Revolution.


Choosing a path with a heart and hurdles

This question is one that only a very old man asks. Does this path have a heart? All paths are the same: they lead nowhere. … Does this path have a heart? If it does, the path is good; if it doesn’t, it is of no use. Both paths lead nowhere; but one has a heart, the other doesn’t. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong; the other weakens you.*
Carlos Casteneda

If your plan, your idea or your art doesn’t involve any significant hurdles in moving forward, it’s probably not worth that much. If it were easy, everyone would do it. The tactic is to seek a path where you see and understand the significant hurdles that kept others away. And then dance with them. They’re not a problem, they’re a feature.**
Seth Godin

Don’t believe your path with a heart will be easy,
Or pleasurable.
Significant,
Meaningful,
Transformational
will become more important.

May you know your heart
and understand it,
so that you may follow wherever it leads.

*Carlos Castenda’s The Teachings of Don Juan;
**From Seth Godin’s blog: Significant hurdles.

What it is

It’s about understanding not only the works, but the world we live in and the times we live in and being a kind of mirror of that. I think it happens really naturally and inevitably if your are honest with yourself and your times.*
Keith Haring

What year is in your imagination?**
Lynda Barry

Wanted:
More people willing to be as open as possible
for as long as possible
towards as many things and as many people as possible.

It’s so hard,
Taking up so much energy –
Literally burning calories of energy –
And even if we could do it perfectly –
And we can’t –
Our life isn’t long enough to be open to everything.

But, when we try, something is happening inside of us
and we are changing.
See John O’Donohue:

As always in the world of the mind, recognition is a huge transformative force.^

Here is the pressure of reality needing to be met with the power of imagination,
Something I often find myself contemplating.

Imagination need reality,
Reality needs imagination.

Being open to reality,
To what it is,
Grows,
Improves,
Our imaginations –

Does your imagination know what year it is?**

The more open we are, the more we have to work with:
More people and more ideas and more places and more things.

As Alan Jacob worries:

the future we imagine is just that: not an alien anything but what we imagine, what we can imagine. And often it’s what we can’t imagine that we’re most in need of.^^

Perhaps we’ll never be able to imagine what we really want to
if we remain where we are,
In our smaller worlds,
When we live in such a
big
Big
BIG
world.

*Keith Haring’s Keith Haring Journals;
**Lynda Barry’s What It Is;
^John O’Donohue’s Divine Beauty;
^^Alan Jacobs’ Breaking Bread With the Dead.

Up not down

The Celts understood that all beginning risks the unknown; a blessing was intended to be a shelter of light around the pilgrim and the place.*
John O’Donohue

You’re still here,
Imagination somewhat battered but basically
intact,
Now reaching deeper to connect with your special abilities, and,
Raising yourself up,
You continue to pursue your first avowed intent.

And so,
Being the alchemist you are,
May good and beauty come from that which has been bad for you,
Or difficult,
Or painful.

*From John O’Donohue’s Divine Beauty.

Saved from a life without desire

If you can do it once, you might be able to do it ten times. And if you do it ten times, it will become a skill and a practice. You’ll do it more naturally and more often. … Ten reps is a great place to begin.
Seth Godin

Chance favours the prepared mind.*
Louis Pasteur

What is a dream, a hope a desire
without a practice to contain it?

Whilst some people are all container and no content,
Others are all dissipating contents and no container.
The sweet spot is to shape a routine that is also a ritual,
One that is alive and playful:

The dream of prayer and art is to be nearer, even to slip through to dwell for a while in the vicinity of the essence.^

*From Seth Godin’s blog: 10 reps;
**Louis Pasteur, quoted in Keith Haring’s Keith Haring Journals;
^From John O’Donohue’s Divine Beauty.

Done hiding

Absolutism is a form of hiding. Perfect is the enemy of good.*
Seth Godin

An inner alignment starts to develop that can release extraordinary energy and creativity, qualities previously dissipated by denial, inner contradiction, and unawareness of the situation and oneself.**
Peter Senge

We are creatures of desire.
Without desire, it is as if we do not exist.

Yes, there are very real problems in over-desiring,
Taking us into chaos and even destruction,
But there can be greater issues with denial,
With hiding …
The proverbial light under a bushel:
Isn’t god more concerned with denial than with desire?

May you bring your wonderfully quirky, beautiful and useful
thing into the world.

And the life you will see incrementally taking shape, in the rear-view mirror, will be the one that meets the only definitive measure of what it means to have used your weeks well: to how many people you helped, or how much you got don; but the working within the limits of your moment in history, and your finite talents, you actually got round to doing – and made life more luminous for the rest of us by doing – whatever magnificent task or weird little things it was you came here for.^

*From Seth Godin’s blog: Everything is compromise;
**From Peter Senge’s The Necessary Revolution;
^From Oliver Burkeman’s Four Thousand Weeks.