What3words*

The Tin Man may represent the mechanisation of our reality of which the loss of heart is the worst to bear. It is easy enough to get oiled and get moving, but without heart there is no impetus to keep going.**
Jean Houston

These weren’t their three words –
Feeling lost, they HAD checked the app to see where they were;
Their three words – where they needed to be – awaited,
They only needed to follow their heart.

Which three words describe where you need to be, and/or to be doing?^

*What3words is an app that “grids” the world into 3×3 metre squares. As long as we have a connection, we’ll never be lost.
**Jean Houston’s The Wizard of Us;
^The three words represent whole environments or worlds of activity.

SOME RANDOM THIN|SILENCE

Out of the certainty and into surprise



This means that we can be moved only by persons who are not who they are; we can be moved only when we are not who we are but what we cannot be … We can be moved only by our veils. We are touched through our veils.*
James Carse

The idea that we live in a mental model of reality, rather than reality itself, is fundamental to the philosophy of William Blake … although the world appears to be outside of you, what you experience as the world is created in your mind.**
John Higgs

Force believes the veil to be reality,
Touch allows that this may not be so,
Surprise is touch’s child,
A sign that something new may appear –
Perhaps we do not grow through certainty.

*James Carse’s Finite and Infinite Games;
**John Higgs’ William Blake vs the World.

SOME RANDOM THIN|SILENCE

Fluidity



I have trained my own reality to be very fluid, moving back and forth between ordinary and extraordinary realities, local and archetypal worlds, implicate and explicate worlds.*
Jean Houston

The challenge is to keep doing something different, something harder and scarier in every way than the thing you did before … to do something more difficult each time.**
Francine Prose

And before we know it,
We’ve stopped,
Stopped moving, and,
Being fixed, life
closes in around us when it ought to to be
opening up and astounding us.

I need only 4%
different, difficult, risky, scarier to avoid
a world becoming too familiar and reducing,
Or to unbelievable and large for me to contemplate –
Only 4% to be fluid and
Lost in wonder.

Your life is quantum,
You live here ordinarily and also
somewhere else, imaginally,
Your life in myth stretching,
Opening and unfurling this
local world.

*Jean Houston’s A Mythic Life;
**Austin Kleon’s blog: Stepping into the portal.

SOME RANDOM THIN|SILENCE

No thank you and Yes please

Man begins to be human only where he has the freedom to oppose bondage to a type. For only there, in freedom, is his being – being responsible; only there “is” man authentically, or only there is man ‘authentic.’*
Viktor Frankl

You are not a type,
You do not have to receive the script, nor the others that will follow,
You can choose to say, No thank you.

Resistance is the beginning of your responsibility and the freedom to be
Your own kind of unrepeatable imperfection, which is always for something, for someone,
Some Yes please that must follow, Yes to life.

We might name this your dialogue
with the pressure of reality through the power of your imagination,
Shaping your place in the world.

You will know its weight, but
it is your sweet weight,
Your joyful burden.

How goes your imaginative conversation with reality?

*Viktor Frankl’s The Doctor and the Soul.

SOME RANDOM THIN|SILENCE

To and fro

Notice the order – from solitude to community to ministry.*
Henri Nouwen

Our sense of self is not a discrete thing, it turns out. It is perhaps better thought of as a story. It is a story of who we are, what we are like and where we are going, and as such it grows out of our history, our relationships with others and our goals for the future.**
John Higgs

When in our flow, our bliss,
Our sense of self is lost to us,
And when we give ourselves to
nothing,
We reappear in
the past, present, and future of our stories;
Whilst we may rehearse these when we are
with others, it is only when I am alone that my pondering
is deepest.

Where do you disappear and why do you return?

*Henri Nouwen’s Spiritual Direction;
**John Higgs’ William Blake vs the World.

SOME RANDOM THIN|SILENCE

In awe of you

The only ways we can avoid [creativity’s] insistent energy are to continuous;y mount barriers, or to allow it to be poisoned by destructive negativity and negligence.*
Clarissa Pinkola Estés

Awe spurs us to be kinder and more compassionate. It makes us happier and less concerned with materialism. Experiences of awe spark curiosity within us and help orient us to what truly matters in our lives. In short, awe changes us in the most incredible ways.**
Dacher Keltner

Background,
Upbringing,
Limitations,
Openness,
Noticing,
Curiosity,
Interests,
Developed talents,
Beliefs,
Experiences,
Narratives –
All of these are happening all of the time in our lives,
And all of them provide an incubator for creativity.

Here’s another year, free of charge,
For letting it out,
Perhaps removing the barriers, or
overcoming the negativity;
A good place to begin is in being open to awe:
The universe, local nature, art, stories, people, inventions –
Witnessing the good things all around us, and
just having to join in.

In this sense, I wish you
Happy New Year!

*Clarissa Pinkola Estés’ Women Who Run With the Wolves;
**Dacher Keltner’s Awe.

SOME RANDOM THIN|SILENCE

Such a character

Scientists and linguists believe that words are not only a window into who we are and how we believe, they also play a role in shaping these things.*
Naomi Bagdonas and Jennifer Aaker

Dan McAdams** is introducing me to the word imagoes for describing
the main characters in our life stories.

These fall into two types:
The agentic and the communal.

The agentic characters are comprised of
warriors, travellers, sages, and makers.

The communal characters of
lovers, caregivers, friends, and ritualists.

It’s likely that we’ll especially prefer one from either of the lists, to
have a sense of self in the larger world and our smaller worlds.^

It strikes me that we find these lists
echoed in different ways.

Mihaly Csikszentmihalyi writes about our need
for exploration, but also for conservation.^^

Christian Schwarz introduced me to this concept
more than twenty years ago in his interplay of the dynamic and the static.*^

So, I’m wondering whether, not only might we focus on an imago
from one list, but balance this with a supportive imago from the other.

Have a play: choose your two,
Identifying which is prime and which is supporting.

We see how important words can be for seeing
who we are and then shaping who we are.^*

(Important note to self: Always be playful,
Never allow yourself to be trapped by a word, term, or definition.)

*Naomi Bagdonas and Jennifer Aaker’s Humour, Seriously;
**Dan McAdams’ The Stories We Live By;
^We’re unlikely to use these precise words;
^^Mihaly Csikszentmihalyi’s Creativity;
*^Christian Schwarz’s Paradigm Shift in the Church;
^*Perhaps take 5-10 minutes to free-write why you have chosen these two.

SOME RANDOM THIN|SILENCE

Not all silence is absence

The soul has nothing to say. It’s essential silence makes voices possible but it has no voice of its own.*
James Carse

The soul is my deepest and most silent being –
It has made possible the writing of the last line,
Allowing this and other thoughts to arise,
Not directing, impelling, but giving my thoughts their space;
I grow this silent part of me by
not interrupting, not filling, nor
explaining, so that it provides the space for
everything else, and hence, it is not empty but full.

How do you deepen your silence?

*James Carse’s Breakfast At the Victory.

RANDOM THIN|SILENCE