The thing that gets us stuck isn’t us. It’s the script that we’ve decided is our only option. Call it out. Realise that it’s not the only option … Rewrite the script, rewrite the outcome.*
Seth Godin

We have already heard that the fulfilment of meaning is possible in three main directions: humans are able to give meaning by doing something, by acting, by creating – by bringing a work into being; secondly, by experiencing something – nature, art – or loving people; and thirdly, human being are able to find meaning even where finding value in life is not possible for them in either the first or the second way – namely, precisely when they take a stance toward the unalterable, fated, inevitable and unavoidable: how they adapt to this limitation, react towards it, how they accept their fate.**
Viktor Frankl

Every life comes with a script –
Where we are born and to whom, for starters –
But it is incomplete, and if there’s
one thing that we’re adept at, it’s bringing some
imagination and creativity to bear, rendering
the original narrative unrecognisable;
Where we take our stories is up to us.

*Seth Godin’s blog: “Here we go again”;
**Viktor Frankl’s Yes To Life.

In terms of character traits, other studies have found that awe is correlated to traits like gratefulness, a love of learning, creativity, and appreciation for beauty.*
Jonah Paquette

And now to the question of the meaning of our imbalances: let us not forget that each person is imperfect, but each is imperfect in a different way, each “in his own way.” And as imperfect as he is, he is uniquely imperfect. So, expressed in a positive way, he becomes somehow irreplaceable, unable to be represented by anyone else, unexchangeable.**
Viktor Frankl

*Jonah Paquette’s Awestruck;
**Viktor Frankl’s Yes To Life.

Water is H₂0, hydrogen two parts, oxygen one,
But there is also a third thing, that makes it water
And nobody knows what it is.*
D. H. Lawrence

Ultimately the goal is to become the best in the world at being you. To bring useful idiosyncrisity to the people you seek to change, and to earn a reputation for what you do and how you do it. The peculiar version of you, your assertions, your art.**
Seth Godin

Whilst the Enlightenment sounded the death knell for
traditional myths, in reality it substituted its own:
What the Enlightenment did was to
develop its own set of myths,
striking pictures whose attraction
usually centres on the lure of Reduction –
the pleasure of claiming that things are much simpler than they seem.^

I understand this to be a highlighting of how
humans need myths or stories to live by –
We cannot imagine a world,
Or our existence within it, without our stories;
The good myth retains the mystery, though
a helpful definition of a myth reminds us in timely fashion:
a partial truth based on an imaginative vision
fired by a particular set of ideals,
a dream that can help us to shape our enterprises,
but will mislead us if we
trust it on its own.^

To be our fullest self, though,
We shall require our myths that
allow for more than the ordinary, connecting us to
the mystery we encounter
within.

*From D. H. Lawrence’s poem ‘The Third Thing’; Roger Deakin’s Waterlog;
**Seth Godin’s The Practice;
^Mary Midgley’s The Myths We Live By.

We are all sculptors and artists, and out material is our own flesh and blood and bones.*
Henry David Thoreau

The challenge then is to have one super power. All out of balance to the rest of your being. If, over time, you develop a few more, that’s fine. Begin with one.**
Seth Godin

Through life, we learn skills,
Developing these into patterns of skills, or
talents and abilities;
When we notice what these are and how they
are made, we can grow them into strengths, that is,
Superpowers –
The more talent-details we notice, the more we can
propagate.

*Ryan Holiday’s Stillness Is the Key;
**Seth Godin’s The Practice.

The stories of gods or heroes descending into the underworld, threading through labyrinths and fighting with monsters, brought to light the mysterious workings of the psyche, showing people how to cope with their own interior crises.
Karen Armstrong

Mythological images are the images by which consciousness is put in touch with the unconscious. That’s what they are. When you don’t have your mythological images, or when your consciousness rejects them for some reason or other, you are out of touch with your own deepest part.**
Joseph Campbell

Joseph Campbell’s contention is that
we need myths to connect us with ourselves and
with others,
The problem is that although the old myths no longer serve us, and so
we have discarded them,
We struggle to find their substantial replacements;
As story-making animals, we are not without our narratives to
make sense of our everyday worlds –
Worlds of finance, of work and occupation, of relationships –
But these struggle to recognise and understand the deeper and
more mystical parts of our being,
Not daring to speak of your great abilities and powers of creativity and forging
warm values in a cold universe.

*Karen Armstrong’s A Short History Of Myth;
**Joseph Campbell’s Pathways to Bliss.

Profound work is uncovered when we commit to worthwhile work and consistently put in the effort to make work worthwhile.*
Gabe Anderson

It had always been my responsibility;
The difference now is that
I admit and
embrace it –
Why did I ever shirk it?

*Gabe Anderson’s blog: Worthwhile And Profound.

Living in accordance with your values is never finished, it is a lifelong journey.*
Steven Hayes

A stable, balanced life is a life losing energy – and so is a stable, balanced city.**
Richard Sennett

I’m all off-balance,
It is the future calling me:
It always has,
It always will.

*Steven Hayes’ A Liberated Mind;
**Richard Sennett’s Building and Dwelling.

Enough comes from the inside.*
Ryan Holiday

Direct your eye right inward, and you’ll find
A thousand regions in your mind
Yet undiscovered. Travel them, and be
Expert in home-cosmography.**
Henry David Thoreau

You are enough,
Never tell yourself otherwise;
Explore this inner terrain, gathering your discoveries
into stories or maps,
Returning to these often –
Even every day if possible –
Training yourself to see yourself and
the world more as they are.

Here are two modern archetypes:
The flâneur and flâneuse have trained themselves
to wander,
If they vacillate or dither it is only because
they have more than enough to prospect:
he or she is indecisive,
unsure of where to go,
embarrassed by his or her choices;^
The Infinite player has more than enough time because:
Time does not pass for the infinite player.
Each moment of time is a beginning of
a period of time.
It is the beginning of an event that
gives the time within its
specific quality.^^

*Ryan Holiday’s Stillness Is the Key;
**Henry David Thoreau’s Walden (adapted by Nicholas Bone);
^Edmund White’s The Flâneur;
^^James Carse’s Finite and Infinite Games.

Surprise is the great enabler of seeing.*
Alan Jacobs

We care most about the things we have struggled to understand.**
Leon Festinger

“I don’t have any imagination.“

She was older than me, and I couldn’t leave her
affirming such a thought for even more of her life,
So I basically suggested
the following:
We don’t have to have imagination or creativity
that fits on some archetypal list –
Notice the things that energise you,
See how your your imaginative around these things, and
make more of them happen:
Seeing is the great enabler of surprise.

*Alan Jacobs‘ blog: Architectural Thoughts;
**Richard Sennett’s Building and Dwelling.

In art, so in life: resistance prompts us to think.*
Richard Sennett

Inauthentic means effective, reasoned, intentional. It means it’s not personal, it’s generous.**
Seth Godin

Perhaps the resistance you meet
will aid you towards a better response or
answer –
Different, inauthentic –
that ease would not have
uncovered.

Here are five major resistances to
contemplate:
Life is hard,
You are not as special as you think,
Your life is not about you,
You are not in control,
You are going to die.^

*Richard Sennett’s Building and Dwelling;
**Seth Godin’s The Practice;
^Richard Rohr’s Adam’s Return.