Prosody (n) the patterns of rhythm and sound used in poetry; the patterns of stress and information in a language

The what if always springs from what is known. The writer understand that it may take the mavericks rather than the beautiful people to overcome great odds because every work of art is the discovery of a new planet, and it may well be a hostile one.*
Madeleine L’Engle

There are more than we know, and
you may be one of them –
To live prosodically is to be what if
rather than what is people, to be “on the hook”
when it comes to being who we are and
what we can do, to be an unfolding story
rather than some finished tome.

To be an artist is to be on the hook, to take your turn, to do the thing that might not work, to see connection, to embrace generosity, to change someone, to be human.**

*Madeleine L’Engle’s Walking on Water;
**Seth Godin’s It’s Your Turn.

I learned to appreciate both certainty and uncertainty.  Both are necessary the world.  Both are part of being human.*
Alan Lightman

*Alan Lightman’s A Sense of the Mysterious.

It is the nature of the earth and our dust to be in constant contact with the impulse of life.  If we listen, we will hear the continuous tread of love, moving up our limbs like sap, like an electric current impelling us as we to “stir and step out.*
M. C. Richards

*M. C. Richards’ Centering.

You have the right to remain silent. But I hope you won’t. The world conspires to hold us back, but it can’t do it without our permission.*
Seth Godin

Circumstances, when combined with visions and dreams, can call forth extraordinary powers from within an ordinary person.**
Alexander McManus

There are many voices wanting to prevail:
Stop!
You can’t
You mustn’t
Do this, not that
This isn’t the time
This isn’t the place
You’re not the right person.

If what you hope for comes
from your deep soul,
Then do not listen;
Yes, there are historical, geographical, sociological, technological
shapers of our contexts,
Circumstances that we are responding to, but these
shape our stories rather than
quash them.

A well-written story elicits two key responses from an audience …
Curiosity …
Concern …^

Here are two signs that you have your deep-soul story:
Fascination that fuels you forward,
Concern to make things better for others:
These are your permission.

*Seth Godin’s The Practice;
**Alexander McManus’ FutureU;
^Robert McKee‘s newsletter: Are You Giving the Audience What it Needs?

The art of being wise is the art of knowing what to overlook.*
William James

“Hayah asher hayah.” Those words are mistranslated in English as “I am that which I am.” But in Hebrew, it means “I will be who or how or where I will be,” meaning, Don’t think you can predict me.**
Jonathan Sacks

We are all capable of
glorious unpredictability –
The only thing to beware is
unpredictability goes down and
predictability goes up if
we try to do and be
everything.

*Oliver Burkeman’s Meditations for Mortals;
**Krista Tippett’s Becoming Wise.

Nothing kidnaps our capacity for presence more cruelly than longing. And yet longing is also the most powerful creative force we know: Out of our longing for meaning came all of art; out of our longing for truth all of science; out of our longing for love the very fact of life.*
Maria Popova

The problem with getting what you want is that now you have a hole, because you don’t want that thing anymore, you have it … There’s a more resilient path: To commit to wanting what you have.**
Seth Godin

To be present to something in life is
the most important thing of all,
Too many focus on the hole in their life rather than
celebrating the fullness –
What they have and what they can do with it;
Carlos Castenades, in passing on the shaman wisdom of
Don Juan, suggests we ask a question:
Does this path have a heart?
If it does, the path is good;
if it doesn’t, it is of no use.
Both paths lead nowhere; but one has a heart,
the other doesn’t. One makes for a joyful journey;
as long as you follow it, you are one with it.
The other will make you curse your life.
One makes you strong; the other weakens you.^

It is important to find a path with a heart,
The telling confirmation of what you have rather than
What you do not have;
It doesn’t matter what it is save for this one thing –
It must have a heart:
Nothing has inherent meaning.
It is what it is and
that’s it.
We choose to project meaning onto things.
It feels good to make stories.^^

We are meaning-making creatures, responding to a universe which
asks the questions of us: What will you do with your life?, and so,
To turn our meaning into something we can live out over a lifetime, we
turn it into a story:
We do not go to a storyteller to learn
what we already know.
We go with a prayer:
Please let me gain insights into life
I’ve never had before; let the characters
be originals I’ve never met before.*^

And we are storytellers all.

*Maria Popova’s The Marginalian blog: The Thing Itself: C.S. Lewis on What We Long for in Our Existential Longing;
**Seth Godin’s blog: Wanting and getting;
^Carlos Castaneda’s The Teachings of Don Juan;
^^Derek Sivers’ Hell Yeah Or No;
*^Robert McKee’s Character.

One study found that people who were directed to doodle while carrying out a boring listening task remembered 29 percent more information than people who did not doodle, likely because the latter group had let their attention slip away entirely.*
Annie Murphy Paul

I like to share this information wherever it feels
appropriate and helpful.

Everyone can doodle, so this is a
superpower we can all develop.

As well as doodling to listen, I also aim to create
a doodle that represents what I’ve been hearing.

Here are a few other benefits to add to
listening and creating that I enjoy:

Doodling derives from dawdling, so
it helps me slow down.

I can then be present and
absorbed in what I’m hearing and doing.

It provokes imagination whilst it
exploring representation.

It legitimises adaptation and
anticipates transformation.

And it’s a load of
fun.

*Annie Murphy Paul’s The Extended Mind.

Don’t start a business until people are asking you to.*
Derek Sivers

By escape into the mass, man loses his most intrinsic quality: responsibility.**
Viktor Frankl

In the “mass” there are those who tell and those who are told,
And to those who are telling, all those who are told look the same;
In a community, there are those who are asking and those who are giving,
And those who are giving have many different gifts, so
the important thing is to respond to the right ask.

Those who are told say, It’s your responsibility, but
you already know what those who are giving say – after which
there is only who? and when?

Awe awakens the better angels of our nature.^

*Derek Sivers’ Hell Yeah or No;
**Viktor Frankl’s The Doctor and the Soul;
^Dacher Keltner’s Awe.

I’ve always believed in the power of poetry to explain people to themselves.*
William Seighart

Budded from the matrix of psyche, we bloom out of imaginal worlds from which we arise coded in myth and symbol.**
Jean Houston

Poems are not wasteful with their words,
Their locution is expansive and sharp,
Fullness and calling,
Honest and hopeful;
Our lives are like poems –
When the extraneous is removed, we see
both who we are and yet can be.

*William Seighart’s The Poetry Pharmacy;
**Jean Houston’s A Mythic Life.

How much time have you spent on the edge of your ability today?*
James Clear

In real life we don’t have the next episode and we certainly don’t know the season finale. We’re living it.**
Gabe Anderson

If I knew the outcome then
I wouldn’t be edging it, and I know I need
to be edging it more to
be alive.^

*James Clear’s 3-2-1 newsletter: How to learn faster, what you put into the world, and the value of numerous attempts;
**Gabe Anderson’s blog: The Next Episode;
^I’m thinking of life-in-all-its-fullness, as opposed to filling my days.